移行風景
Landscape Elsewhere 

 
「從前在我小時候，每當傍晚時分從昏暗的谷底向上望，我都會看到燕子們成群結隊在還有最後一絲光線的天空盤旋，那時我就會想，世界只是被它們從天空中穿行的軌跡捆紮起來的。」

                                                                                                                                            — W.G. Sebald,《土星之環》

記憶始終抵抗著對它的安置與排列，它像是塵埃般環繞於⼀處缺無周遭。如同在W.G. Sebald 的⼩說《土星之環》（The Rings of Saturn）中，即描述著獨自在荒蕪海岸旁的晃遊旅程，伴隨氣象和地形的變化，任何瑣碎與看似無意義的瞬間，皆成為了開啟對歷史、記憶進⾏沈思的時刻。啟發自小說文本獨特的書寫——無論是⽚斷般的章節組構，或是穿插於紙頁上的陳舊圖像，展覽中每⼀作品皆繪測著不同的時間形貌，呈現如空曠地景中的實時（real time）流動、旅行間的無事狀態;抑或是對歷史檔案、私密記憶的回視等。本展覽從此⼀緩慢、靜謐的文學經驗出發，將日常碎片化的經驗，重新移至影像的感性綿延（duration）內。在轉化為⼀處視覺情境（visual situation）的空間中，藉由遊⾛與觀看往返於事件/時間、地⽅/空間的邊界之間，進⽽引發觀者各⾃的想像。

*本展覽屬於 2022年「non-syntax 實驗影像展」的前導計畫，在東京Calm & Punk  Gallery展出後，本次參與之作品亦將於台北舉⾏的實驗影像展作為特映單元展出。


At earlier times, in the summer evenings during my childhood when I had watched from the valley as swallows circled in the last light, still in great numbers in those days, I would imagine that the world was held together by the courses they flew through the air.

                                                                                                                                                              — W.G. Sebald

Memory always resists placement and arrangement towards itself, and surrounds a place of absence like dust. As described in W.G. Sebald’s novel The Rings of Saturn, in a lonesome strolling journey along a deserted coast, as the weather and terrain change, any moment of triviality or seemingly meaninglessness, becomes a moment to open up a meditation on history and memory. Inspired by the unique writing of the novel - whether it is a disjointed chapter composition, or an antique image interspersed among paper, the work of this exhibition surveys a different profile of time, presenting the flow of real time in an empty landscape, the state of boredom during a trip, or a reflection on historical archives and intimate memories. The exhibition begins from this slow and silent literary experience, which makes fragmented daily returns to the sensual duration of images. In a space transformed into a visual situation, the exhibition moves between the boundaries of event/time and place/space by roaming and viewing, thus triggering the viewer’s respective imagination.

*This exhibition is a preceding project to the “non-syntax Experimental Image Festival” in 2022, and after the exhibition at Calm & Punk Gallery in Tokyo, the participating works will also be shown in an exclusive section of the main festival in Taipei.

策展人

金秋雨 ｜許鈞宜 ｜許耀文

參展藝術家

劉行欣 ｜謝宣光 ｜原田裕規 ｜Pieter Swier ｜
Shaun Finneran & Sofia Petersen｜Daniel & Clara